VIDEO

JAPANESE GARDEN by Doina Rotaru

For bass flute/piccolo and pre-recorded sound

A word from the composer:

A Japanese Garden means a lot of rules which exist from centuries. Many archetyps are repeated here, in this synthesis between Natural beauty, “form without form “, and the Rationality, the perfect form. A Japanese Garden means also spiritual elevation; I put it in connection with the Flute, the old instrument of Prayer and Meditation. Around the Flute, on the “tape “ part, I’ve built an imaginary “garden “ of wind and percussion instruments sonorities: flutes, shakuhachi, sho, didgeridoo, Japanese “rins.”

GREAT SAND DUNES by Jenni Brandon

For flute and marimba

WORLD PREMIERE @ LunART Festival

DREAMS OF BIRDS by Jenni Brandon

For alto flute and piano

The Dreams of Birds explores the world of what birds might dream.  Would they dream of running, of flying to the sun?  Would they dream of being human? 

TOCCATA by J.S. Bach

 

My entry for the Trevor James Flutes alto flute competition. What does the flute mean to me? For me, the flute fills the world with color! This was super fun project, thank you Dave Alcorn

IL PIANTO DEL GHIACCIO by Doina Rotaru

 

A sneak peek of my upcoming album Cries and Whispers - Works for flute by Doina Rotaru! This is one of the best flute quartets I have heard in my life, and I feel so privileged that my recording will be the first one ever! 

LE MERLE NOIR by Olivier Messiaen

 

Messian composed Le merle noir (“the blackbird”) for the annual flute concours in 1952, and this short, single-movement work for flute and piano is the first of Messiaen’s compositions to imitate the song of a one specific bird species. 

MÉMORIALE (... explosante-fixe ... originel)

by Pierre Boulez 

Initially conceived in 1971 as a memorial for Igor Stravinsky, who died in April of that year, Boulez composed several different versions of the work between 1972 and 1993. The original line of music gravitated toward the pitch of E-flat (spelled out, per convention, as “Es” = the first letter of Stravinsky’s name). From the start Boulez planned a central role for flute, which would interact with live electronics and a chamber ensemble. However, the technological limitations of the early 1970s proved so frustrating that he put the initial version of …explosante-fixe… aside for the time being.

FANTASY for Flute and Orchestra by George Hüe

 

Iva Ugrčić's solo performance as the Winner of the Miami Summer Music Festival Concerto Competition 2015. 

ELEVEN for flute and piano by Cecilia McDowall 

Eleven is a piece that has very personal meaning to me. It was written during troubling times in former Yugoslavia, where I was born and raised. McDowall states: “I became obsessed with what happens to a culture when it is dispersed due to war. ‘Eleven’ means ‘alive’ in Hungarian, and I dedicated it to all those in danger of losing their cultural identity, in the hope that they can keep their cultural ‘voice’ alive.”

 

McDowall uses ethnic religious music of Eastern Europe in a powerful form to depict the suffering of Kosovo in the late 20th Century. Techniques such as glissandi are used in the flute part to mimic the sounds of a woman’s cries caused by a deep sadness of losing loved ones. 

© 2017 by Iva Ugrčić